
The nose presents blackberry fruit with a sweet undertone, black cherries – it is polished and has a plump potential. The palate is seasoned by grainy tannins, has the texture of those within its soaked red cherries, with smoking moments. Bessards is more obviously present here than in the other 2014 cuvées – this is more sizeable, more compact, sealed wine. It goes long, is manly, a proper Hermitage of various climats, one that supports the Jean-Louis Chave view of an assembled wine, not a plot-specific one, being the true Hermitage. “For a Grand Hermitage, it is said you need the three terroirs,” Bernard Faurie. Its strength hasn’t been forced, and there is concentration of juice here. It is fresh, long, and glows on the finish. [John Livingston/drinkrhone.com, December 2015]
Bernard Faurie: “For a Grand Hermitage, it is said you need the three terroirs.” “Bessards is the masculine influence, Méal is the nobility and Greffieux the feminine influence.”
John Livingstone/drinkrhone.com: “The palate is seasoned by grainy tannins, has the texture of those within its soaked red cherries, with smoking moments. Bessards is more obviously present here than in the other 2014 cuvées – this is more sizeable, more compact, sealed wine. It goes long, is manly, a proper Hermitage of various climats, one that supports the Jean-Louis Chave view of an assembled wine, not a plot-specific one, being the true Hermitage. “For a Grand Hermitage, it is said you need the three terroirs,” Bernard Faurie. Its strength hasn’t been forced, and there is concentration of juice here. It is fresh, long, and glows on the finish. [december 2015]